Click to buy!

FOR MORE INFORMATION AND PICTURES, GO TO octobrass.com/home.cfm "When you can't take your horn, take OcToBrass" The concept behind OcToBrass is to provide a fun and effective lightweight embouchure development device that closely matches your mouthpiece rim size and horn resistance and is small enough to fit in your pocket or purse. ***OCTOBRASS™ IS NOW EQUIPPED WITH A VALVE TO REGULATE PRESSURE AND MATCH THE NATURAL RESISTANCE OF YOUR TROMBONE.*** ***OCTOBRASS™ NOW COMES WITH A ONE PIECE SILVER-PLATED RECEIVER*** This auction is for a Trombone OcToBrass™ with a Black Kelly 12C Mouthpiece. If you are a professional or semi-professional trombone player with occasional time lapses in your practice schedule because of work, vacation, conference, exercise or injury, OcToBrass™ is your answer. OcToBrass™ (patent pending) is a new compact buzzing and practicing instrument for the musician who must spend time away from the horn. The platform for OcToBrass™ is a concert level "G" ocarina (Mountain Ocarinas®) that has the capability of receiving a trombone mouthpiece. A tone is created from the buzzing brass mouthpiece as well as a tone created by the fipple flute resulting in the capability of playing in unison or harmony. This is the perfect instrument for the musician who must maintain embouchure and endurance while on-the-go. The OcToBrass™ kit includes a Kelly™ Mouthpiece. The receiver on your OcToBrass™ will also receive your favorite brass mouthpiece. The Kelly™ Mouthpiece is important with the OcToBrass™ concept because of its light weight. The OcToBrass™ with mouthpiece weighs less than 4 oz. The OcToBrass™ also comes with a genuine leather carrying pouch, a neck pendant cord, two self-adhesive rubber buttons for the thumb holes (there are two thumb tone holes on the underside of the OcToBrass™), and a fingering & instruction chart from Mountain Ocarinas®. You will also receive an informative DVD. OcToBrass™ is a four-in-one practicing device. 1. Buzzing and fingering the OcToBrass™: a new harmonic and embouchure-building experience (takes two hands). 2. Quiet Buzzing fully covering the fipple whistle: great for hushed back-stage warm-up and quiet embouchure-building and maintenance (Mode 2 needs only one hand so you can drive and still buzz). 3. Play-along Buzzing - partially covering the fipple whistle: this technique sounds a bit like a kazoo and is used for intonation training while playing along with your radio or MP3 device (Mode 3 needs only one hand so you can drive and still buzz). 4. Playing the concert level Ocarina flute without buzzing: an incredible, beautifully toned, second instrument you can carry in your pocket or around your neck.